Dove Pro-Age Women

Dove is continuing the Campaign For Real Beauty with the launch of Pro-Age, recently promoted in a TV commercial featuring four women in their fifties and sixties from Chicago, London and Berlin. The campaign is likely to capture the imagination of Baby Boomer women around the world, women who would now be between the ages of 47 and 62. The campaign features images of real women (meaning women who are not professional models), literally uncovering all of their age spots, grey hair and curves, demonstrating that women are genuinely stunning, at any age. The complication, though, is the reluctance of US TV channels to broadcast ads showing nudity on public TV.

Merinete Morrison in Dove Pro Age Ad

Mirinette Morrison, 54, mother of three, housewife and nanny from London.

The online ‘TV Ad’ shows still and moving shots of four nude women with the super, “Too old to be in an anti-aging ad.” The spot finishes with the rejoinder that this is not an anti-aging ad, it’s Pro-Age. The voiceover: “New Dove Pro-Age. Beauty has no age limit”.

Click on the image below to play the video in YouTube

The spot is online in Shockwave Flash format at www.proage.com and www.campaignforrealbeauty.com. A German version of the ad can be found at YouTube, using the words, “Zu Alt für Anti-Age Werbung”.

According to a recent Dove global study, nearly all women over 50 want to see a change in society’s view on women and aging. In addition, the majority of women believe that if media were reflective of the population, a person would likely believe women over 50 do not exist.

“Beauty Comes of Age” was researched and written by Professor Susie Orbach, sociologist at London School of Economics and Political Science.

“Dove seeks to create an attitudinal change in the anti-aging category – from negative and fear-driven to affirmative and hope-driven,” says Kathy O’Brien, Dove Marketing Director. “Pro-age is about looking great for your age.”

Athena Uslander in Dove Pro Age Ad
Athena Uslander, engineer turned specialty baker from Chicago

“I never thought about the implications of anti-aging until the suggestion of the Pro-Age line,” says Athena Uslander, a 51-year-old specialty bakery owner (Silverland Desserts) who is featured in the campaign. “Now I think anti-age means that you are constantly fighting this natural phenomenon of aging, whereas pro-age is a much more subtle way of dealing with the same process – making your body work with aging in the best way possible. We are, after all, children of the 1960s, a generation determined to achieve anything. It really is time to change the limited view presented by the media and I’m proud to be part of it.”

Dove Pro Age Ad
Elke Görsch, manufacturer from Berlin

“Women over 50 are doing things today that previous generations never thought possible,” says Dr. Nancy Etcoff, Harvard University. “They are mothers of young children, CEOs of major companies, and students going back to school for advanced degrees. It is time for society to catch up with this new generation.”

Contrary to societal standards, this new breed of financially independent and socially active women shares the Dove pro-age philosophy that beauty has no age limit.

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Diana Harewood Baynes in Dove Pro Age Ad

Diana Harewood-Baynes, artist and alternative therapist in London

Daniela in Dove Pro Age Ad

Daniela, 61, artist and teacher in Palo Alto, California

Mary in Dove Pro Age Ad

Mary Morris, 64

Credits

The Dove Pro Age campaign was developed at Ogilvy & Mather, Chicago, by creative director Maureen Shirreff, copywriter Rebecca Rush, and art director Rock Pausig, account director Illona Elspass, group account director Becky Getz, global creative partner Dennis Lewis, creative director Tereasa Surratt, and agency producer Larry Byrne, with contributions from Edelman, Germany.

The Pro-Age photography campaign, including video and print advertisements, is being photographed by internationally renowned photographer, Annie Leibovitz, an over-50-year-old woman herself.

Filming was shot by director Lars Knorrn via Neue Sentimental Film, Berlin with director of photography Jens Maasbøl. Editor was Randy Palmer at Optimus, Chicago.

Media was handled by MindShare.

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